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Are We There Yet?A young child, dressed in contemporary casual clothing, gazes at the viewer while reaching out to touch a towering Chinese vase which also features prehistoric imagery, blurring the boundaries between history and mythology. Two flowers: a freesia, its petals revealing the profiles of adult faces, and a daisy that stares directly ahead, its centre resembling a sun clock, marking times passage. A pterodactyl looms overhead, its presence both ominous and

perceived ‘failures’ of artistic process – breakages in the kiln

alive with hidden rhythms

The hair holds knowledge in its very form

The work now feels like a quiet dialogue between memory

"Old Man" is a meditation on aging

as I consider them to be portraits of a sort (much more than they are landscapes)

through various slots and grooves

aiming to focus only on what one can control

Through this project

the composition doesn’t explain itself

object and organism

was in fact brutal